Dan Lenick, Homicide Detective Scott Speck
Finalists
Geoffrey Agrons (Kensington, CA)
Tim Barton (Philadelphia, PA)
Carla Berger (Sagaponack, NY)
Diana H. Bloomfield (Raleigh, NC)
George Borden (Potomac, MD)
Liza Hennessey Botkin (Studio City, CA )
Michael Dankner (Manhattan, NY)
Anca Dobrian (Norfolk, VA)
Nicholas Fedak II (Burbank CA)
Joseph Gamble (Tampa, FL)
Robert Heller (Knoxville, TN)
Catherine Hennessey (Philadelphia, PA)
Barbara Johnson (Washington, DC)
Ilisa Katz Rissman (Brooklyn, NY)
Richard Kent (Lancaster, PA)
Soohyun Kim (Chicago, IL)
Harry Longstreet (Bainbridge Island, WA)
Peter Maeck (Lexington, MA)
Jenee Mateer (Baltimore, MD)
Dan McCormack (Accord, NY)
Mark Mitchell (Richmond, VA)
Dan Mouer (Richmond, VA)
Danielle Picard (Newtown, PA)
Donna Pinckley (Little Rock, AR)
Deb Schwedhelm (Tampa, FL)
Denis Sivack (Brooklyn, NY)
Scott Speck (Pasadena, MD)
Kay Springwater (Washington, DC)
D. B. Stovall (Rockville, MD)
David M. M. Taffet (Merion Station, PA)
Dorin Todor (Richmond, VA)
Samantha VanDeman (Villa Park, IL)
Sandra Chen Weinstein (Lake Forest, CA)
Michael Wright (Damascus, VA)
Sergio Zaragoza (Los Angeles, CA)

The Ladies Series, #13 Sally Campbell-Dusenbury
Director's Choice Finalists
Geoffrey Agrons (Kensington,CA)
George Borden (Potomac, MD)
Sally Campbell-Dusenbury (Antioch, CA)
Regula Franz (Richmond, VA)
Robert Heller (Knoxville, TN)
Dana Horvath (Richmond, VA)
Yvonne Humphries (Richmond, VA)
Jennifer Kurek (San Clemente, CA)
Lew Lott (Midlothian, VA)
Peter Maeck (Lexington, MA)
Joe Morey (Vienna, VA)
Andrew Ortiz (Arlington, TX)
Michael Smith (Yonkers, NY)
Scott Speck (Pasadena, MD)
Dorin Todor (Richmond, VA)
Antonia Tricarico (Washington, DC)
About the Juror
Stephen Perloff is the founder and editor of The Photo Review, a critical journal of international scope publishing since 1976, and editor of The Photograph Collector, the leading source of information on the photography art market. He has taught photography and the history of photography at numerous Philadelphia-area colleges and universities and has been the recipient of two grants from the Pennsylvania Council on the Arts for arts criticism. He was the recipient of the Sol Mednick Award for 2000 from the Mid-Atlantic region of the Society for Photographic Education, the first annual Vanguard Award from the Philadelphia Center for the Photographic Image in 2007, and the Colin Ford Award for Curatorship from the Royal Photographic Society in 2012. Mr. Perloff's extensive curatorial experience most recently includes the Woodmere Art Museum Photography Triennial (September 2009 - January 2010).
Juror's Statement
Portraiture always involves a transaction between the subject and the photographer, a push-pull, a collaboration, a test of wills, a negotiated settlement. One can imagine a polarity with the seeming invisibility of the photographer on one pole and the domination of the photographer on the other. In the first instance one would place someone like August Sander, who stood back and let his subjects speak for themselves (not that he didn't have his own technique and intentions), and in the second instance, Richard Avedon, who captured from his subjects most of what he wanted and usually something they were reluctant to give.
In selecting portraits for this exhibition, I looked for images that were both formally compelling and said something intimate about the subjects themselves and, usually, something insightful about humanity in general. I was heartened that there was an excellent range of age cohorts and ethnicities among the subjects. There were also a few rather conceptual images that filled the bill. Especially in photographs of the very young and the very old and of people encountered on foreign travels there is too often a feeling of timidity, or superiority, or a lack of true human engagement on the part of the photographer. Happily among the images I chose I think there was clear respect - and a healthy dose of wonderment - by the photographers towards their subjects.
I was going to say about the photographs that I
chose as prizewinners that I knew I had not taken any of the minority of images
that were close-ups — that is, tight on the heads and faces —
and that while a lack of background can powerfully focus the viewer's attention
on the sitter, I found the settings of the prizewinners' pictures to add
immensely to the overall backstory of each character portrayed. But as I looked
at them again, I just realized that the clothing in each of these is integral
to the overall effect. From the vacation souvenir T-shirt of the boy with his
hands at his sides; to the hot pink bikini; to the way-cool dude with the
peace-sign necklace on the boardwalk; to the scarf, down vest, flowered pants
and retro canvas sneakers of the girl on the roof; to the striped shirt and
denim shorts of the boy on the stone path; to the summery attire, oversized
bag, and designer shades of the woman in front of the blank wall, there is
something about the way these people present themselves to the world and that
was recognized by each of these photographers, that adds a meaningful layer of
depth to each picture.
This is a very strong group of images. Congratulations to you all and thank you for allowing me to view your work.
Stephen Perloff